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Kenneth Macpherson
Kenneth Macpherson (27 March 1902 — 14 June 1971) was born in Scotland, the son of Scottish painter, John 'Pop' Macpherson and Clara Macpherson. Descended from 6 generations of artists, Macpherson was a novelist, photographer, critic and film-maker. It is only in recent years that Macpherson's contribution to cinematography has come to be recognised with the re-discovery of his work, which, though limited in output, was far ahead of its time, both in subject matter and cinematic technique. His 1930 film, Borderline, is now vey much part of the curriculum in the study of modern cinematography today. In his work with the Pool Group (1927–1933), which he co-founded with Bryher and HD, Macpherson also established the influential film journal, Close Up.
==Personal life==
Little is known of Macpherson's early life, the pre-Pool Group period, although much is made of his post-Pool Group years, which appear to have been colourful. One commentator goes as far as to disingenuously identify, for interested parties, the source of 'a lurid description of his personal life during his New York years'.〔Close up, 1927–1933: Cinema and Modernism – James Donald, Anne Friedberg, Laura Marcus ()〕 Macpherson's story began in 1927, when he married English writer, Annie Winifred Ellerman, (known as Bryher in the literary world), the daughter of a British shipping magnate. Bryher's inherited fortune would help to finance Macpherson's projects. Although Bryher's and Macpherson's marriage lasted for twenty years, for much of the marriage, both Macpherson and Bryher had extra-marital affairs. Bryher was lesbian but Macpherson was distinctly bi-sexual.
A sexual partner, common to both Bryher and Macpherson, was the American poet, Hilda Doolittle (known in literary circles as "HD"). Doolittle had been a close friend of Bryher's since 1921. They had a lesbian relationship, spending a lot of time together in Riant Chateau, Territet, Switzerland, where Bryher had a house. Not long after their marriage, Macpherson and Bryher moved to Territet, later joined by Doolittle, who brought along her 9-year-old daughter, Perdita. (Perdita's father was Cecil Gray, the Scottish music critic and composer). In 1928, Doolittle had a sexual relationship with Macpherson, becoming pregnant by him. The pregnancy would be aborted later that year. In the same year, Macpherson and Bryher formally adopted Perdita, registering her name as Frances Perdita Macpherson.〔(Perdita Macpherson Schaffner )〕
In September 1931, Macpherson and Bryher moved to a new home at Burier-La-Tour, which they had commissioned Hans Henselmann to build. The home, which overlooked Lake Geneva, came to be known as Kenwin, derived from the names, Kenneth and Winifred, and would double as a film studio and home, not only for themselves, but also for an assortment of dogs, cats, and monkeys. Bryher gave her address, at the time, as Villa Kenwin, Chemin de Vallon, 1814 Burier-La-Tour, Vaud, Switzerland. (During the war years, Bryher would use Kenwin as a staging post for the evacuation of refugees from Nazi Germany.)〔(Kenwin – Véronique Goel (Documentary) )〕
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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